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Jessica Simpson's Christmas tweet seems to confirm pregnancy rumor

Written By Unknown on Jumat, 28 Desember 2012 | 23.27

(Reuters) - Actress, singer and fashion designer Jessica Simpson sent a Christmas Twitter message that apparently confirms media rumors that she is pregnant - showing a photo of her daughter Maxwell with the words "Big Sis" spelled out in sand.

The picture's caption reads "Merry Christmas from my family to yours."

Simpson had her first child, Maxwell Drew Johnson, in May. She has since become a spokeswoman for Weight Watchers.

A representative for Simpson was not immediately available for comment.

Simpson rose to fame as a teen pop star and became a household name after starring in a TV reality show with her then-husband Nick Lachey, a member of the boy band 98 Degrees. The pair divorced after three years of marriage.

She went on to star in the 2005 film version of "The Dukes of Hazzard" and re-invented herself as a country singer in 2008. She currently designs apparel, accessories and other fashion products and is a mentor on the TV contest "Fashion Star."

Simpson's fiance, Eric Johnson, is a former U.S. professional football player whose career spanned seven seasons for both the San Francisco 49ers and New Orleans Saints.

(Reporting By Mary Wisniewski and Paul Simao)


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Just A Minute With: Hugh Jackman on "Les Miserables"

NEW YORK (Reuters) - Australian actor Hugh Jackman says his background in musical theater and action films made him feel "like all the stars were aligning" when he took on the starring role of Jean Valjean in the new movie version of "Les Miserables."

Jackman, 44, perhaps best known for his portrayal of Wolverine in the "X-Men" movie franchise, spoke to Reuters about the demands of the role in British director Tom Hooper's adaptation of the musical sensation that opened when Jackman was still a teenager.

Q. This role seemed tailor-made for you.

A. "It certainly for me felt like the biggest challenge I have had. I have never been on the front foot so much for a part. I was quite aggressive going for it.

"It felt like the right time. Once I got the part I will admit to you there were times when I went, 'Oh maybe I have bit off more than I can chew here,' because it is a pretty daunting role in every way - physically, vocally, emotionally."

Q. Has all your Broadway experience - and movies - led you to this role?

A. "I never expected this trajectory of having movies, action movies, which was such a weird thing for me, and musicals, which was also a weird thing for me. I was a theater graduate ... . So I have for a long time wanted to put the two together. And I waited for the right thing - and when this one came up I was like, 'Oh my God, I didn't have to think twice about it.' So, I suppose it does feel like all the stars were aligning, and thank God it took them 27 years to make it."

Q. Most actors downplay the Oscars, and this movie is getting some buzz. What do you think?

A. "Of course it is every actor's dream. In our business it is the highest currency there is. It is a dream.

"For me, I didn't grow up thinking I was going to be an actor, let alone hoping one day to win an Oscar - that was never part of my reality. I went to acting school when I was 22. I don't even remember thinking about being a professional actor until I was 30 and in drama school."

Q. What did you have to do to convince Tom Hooper to give you the part?

A. "What I needed to convince him (of) was that it is possible for the lyrics of the song to feel natural. I know he was skeptical of that whole feeling and was nervous, rightly, about whether a musical could really move people and make non-musical lovers feel things, and feel at home with the sung form, because it is highly unnatural right? ... . I knew I needed to convince him that the emotion and the story, the thoughts of the character, could feel natural."

Q. You had that much pressure while in rehearsals?

A. "Your voice had to be as good on the first as the ninth (take). Because, say he (Hooper) got the camera move, or the acting was right on the ninth. You can't pull the vocal from another, or cut to the second one, because the rhythm would be different. So I think he was testing stamina as well. And pitch I am sure, to see if people could sing in tune."

Q. Do you feel the responsibility to the 'Les Mis' fans?

A: "Completely. I am part of that musical theater world and I know there are some roles that are held up there. And there are people who play those roles who are right up there. It turned out I was acting opposite one of them, Colm Wilkinson, who originally created the role and was astonishing. It actually was really great having him there because there is probably, in terms of the ghosts of Valjean, no one more powerful ... than him."

Q. You are known as being one of the most sincere Hollywood stars. Who is your role model for this humble quality?

A. "My father has a lot of very humble qualities. He is more humble than I am. He is very quiet. If I think about it, there are many Jean Valjean qualities about my father. He has never said a bad word about anyone, he is a religious man in the more traditional sense, and yet he will never really talk about it. He is a man of action."

(Reporting By Christine Kearney; Editing by Patricia Reaney and Xavier Briand)


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Natalie Portman, Kristen Stewart most bankable Hollywood stars

NEW YORK (Reuters) - Actresses Natalie Portman and Kristen Stewart are Hollywood's most bankable stars and provide studios with the highest average returns for their films, according to Forbes.com.

Academy award winner Portman topped the list of best actors for the buck, providing about $42.70 for every dollar she earns.

"Black Swan," for which she won her best actress Oscar, was produced for an estimated $13 million and earned $329 million in global box office sales.

"We estimate that for every dollar Portman is paid by the studios, she returns $42.70. Compare that to Eddie Murphy, our most overpaid star, who returns $2.30 for every dollar he gets paid," Forbes.com said.

"Twilight" star Stewart was not far behind, bringing in $40.60. She also topped the Forbes list of highest-earning actresses with an estimated $34.5 million in salary in 2012.

"Stewart was able to earn a ton over the last three years and offer a healthy return thanks to 'Twilight,'" according to Forbes.com. "Even though she was paid $25 million to star in the last two films, she was clearly worth the money."

Forbes.com analyzed salaries, estimated box office grosses from the actor's last three films over the previous three years to calculate the studio's return on investment. The most bankable stars tended to be featured in the most profitable films.

Stewart's two co-stars in the "Twilight" films were also good investments for the studio. Robert Pattinson came in fourth with a return of $31.70 and Taylor Lautner was No. 6, making $29.50 for the studio for every dollar he was paid.

(This story was refiled to correct spelling of Kristen)

(Editing by Steve Orlofsky)


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Billy Crystal channels real-life role in "Parental Guidance"

LOS ANGELES (Reuters) - After a decade away from the big screen, funnyman Billy Crystal has mined his real-life experiences as a grandfather and is back in the holiday season movie "Parental Guidance."

The film, which opened in U.S. theaters on Christmas, stars Crystal as a recently fired baseball announcer, who agrees to watch his three grandchildren with his wife (Bette Midler), while his daughter and her husband go on a business trip.

Crystal, 64, sat down with Reuters to talk about the film, being a grandparent and why he won't host the Oscars ceremony anymore.

Q: You have not been on the big screen in a starring role since 2002's "Analyze That." Did you miss making movies?

A: "I spent over four years doing my one-man Broadway show, '700 Sundays' and didn't care about doing movies. I just so love being in front of live audiences. The play is more satisfying than anything. I'm not interrupted by planes flying overhead, waiting for them to light and all those gruesome slow things on a movie. But really, the last five years were spent getting this movie made."

Q: How did "Parental Guidance" become your return to film?

A: "When I wrote the first story for this movie, my wife Janice and I babysat for our daughter Jenny while she went away with her husband. We had six days with their girls, all alone. It was an eye-opener. When you're not used to that energy, it's tough. On the 7th day I rested and came in to the office and said, 'Here's the idea for the movie.'"

Q: What was eye-opening about those six days?

A: "The eye-opener was the bible that we were given before they left town about what to say (to the kids), what to do, all the rules, don't do this, don't do that, this child has to be taken here. They have my respect of how they programmed their days and weeks. It's insane what they have to do nowadays for schooling and parenting. It's wild."

Q: Quite a difference between your childhood and the grandkids' childhood, right?

A: "When I was a kid growing up, it was basically 'Go outside and play and I'll see you at dinner.' There was no thought that there were bad people out there. There was such a carefree wonderful trust which forced you to use your imagination, which also bonded you with the best of you, and your friends. We didn't have that 'inside' thing like videogames. My only 'inside' thing was watching the Yankees. Otherwise everything was outside."

Q: Speaking of the Yankees, your well-documented lifelong love of baseball is incorporated in to the film with your character being a ball-game announcer. That must have been fun to do.

A: "I love the game and I thought it was a really interesting occupation we hadn't seen before. And a good one for me to play because I love it. I wanted my character to have something he loved doing where I didn't have to fake it."

Q: In being absent from the silver screen for a while, did you find that the movie-making business has changed much?

A: "The studios are so concerned with quadrants (capturing four major demographic groups of moviegoers - men, woman and those over and under 25). I'd never heard of these things when I was in my early years of making movies. You just did them. There was no interference. Now it's a whole different ball game. They're so worried: 'Who's going to come?' Well, there's 77 million American who are babyboomers. That's a huge audience who wants to laugh and have a story told to them that doesn't have bombs and spies and killing."

Q: Does "Parental Guidance" reflect where are you now at this stage of your life?

A: "I was fortunate to be in a great romantic comedy about falling in love (1989's 'When Harry Met Sally'). I wrote the original story for my turning 40, 'City Slickers' (in 1991), which became a huge hit and a very liked movie. And now 'Parental Guidance' happened at this point in my life. I relate to it as a parent and a grandparent."

Q: You will be a grandfather for the fourth time in March. What do you like best about that role?

A: "It's so hard to understand how you can love someone so much that's not yours, but extensions of you. I'm always so moved seeing my girls pregnant, and seeing them move on in their lives. I'm going to turn 65 on March 14. My wife's birthday is the 16th. The baby's due the 18th. So we've got maybe a straight flush happening here. That would be the greatest present of all - a healthy new baby."

Q: Last year you hosted the Oscar ceremony for the ninth time, making you the second most-used host after the late Bob Hope. Are you gunning for his title?

A: "I'm not even close. I've done 9, he's done 19 and neither one of us are doing it again. It's hard to say, 'Can't wait to do it again,' but I can wait."

(Reporting By Zorianna Kit, Editing by Piya Sinha-Roy and Cynthia Osterman)


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British actress Kate Winslet marries for third time

LONDON (Reuters) - British Oscar-winning actress Kate Winslet has married for the third time, her publicist confirmed on Thursday.

The 37-year-old, best known for her starring role in the 1997 blockbuster "Titanic", married Ned RocknRoll, a nephew of music and aviation tycoon Richard Branson.

The private ceremony was attended by Winslet's two children from previous marriages and "a very few friends and family", according to the publicist, and took place in New York earlier this month.

"The couple had been engaged since the summer," Winslet's spokeswoman said in a statement.

Winslet has been nominated for six Academy Awards and won once for her lead role in "The Reader".

Her other notable performances include Iris Murdoch in "Iris", Clementine Kruczynski in "Eternal Sunshine of the Spotless Mind" and April in "Revolutionary Road".

That film was directed by Sam Mendes, whom Winslet wed in 2003 and divorced seven years later. Her first marriage was to Jim Threapleton, which lasted from 1998 to 2001.

According to online reports, RocknRoll had his name changed by deed poll from Ned Abel Smith and is an executive for Branson's space flight venture Virgin Galactic.

The Sun newspaper said the New York wedding was so secret that even the couple's parents did not know about it.

Hollywood actor Leonardo DiCaprio, who co-starred with Winslet in Titanic and Revolutionary Road, gave her away, the newspaper said.

(Reporting by Mike Collett-White; editing by Steve Addison)


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Soprano Bartoli: My voice has more colors, shadow

LONDON (Reuters) - Italian mezzo-soprano Cecilia Bartoli has released a year-end blockbuster that is part mystery story, part research project and shows off a voice which only seems to improve with age.

Bartoli's latest deluxe-packaged album "Mission" (Decca) is devoted to the music of the late 17th-century Italian composer, diplomat and perhaps spy, Agostino Steffani.

Steffani may have been a bit overlooked as a result of his appearance at the end of the Renaissance and at the beginning of the Baroque periods - until Bartoli's interest alighted on him.

"The variety is amazing in the music of Steffani, the slow arias have very beautiful melodic lines, they are unbelievable, it's quite hypnotic music," Bartoli said in a telephone interview from Paris.

Since she burst upon the world in the 1990s, specializing mostly in Mozart and Rossini, Bartoli has gone from strength to strength, not only in digging up unusual repertoires, including another deluxe compilation in 2009 devoted to music sung by castrati, but also vocally.

Here's what else Bartoli had to say about Steffani and his possible career as a spy, why she goes for the anti-diva look on her recent album covers, and what she calls a Fellini-esque experience at La Scala with conductor Daniel Barenboim:

Q: Is it true, then, that the voice improves with time?

A: "I think this is a very good time because of the maturity of the technique. When you are young, of course, you have to have a beautiful voice. This is a gift you receive, but you don't have enough technique or experience. So this is a very good time because I can really paint with my voice with so many colors, like a painter. I love painting with the voice and I'm of an age when I do this definitely better than 20 years ago."

Q: So this bit about Steffani being a spy, surely that was dreamt up by the Decca marketing department?

A: "He had an incredible life as a priest, a missionary and a diplomatic mission to arranging weddings between the royal princes of that period. And also he was a kind of spy, in fact he was a Catholic priest in the north of Germany, in the Protestant area, and he spent lots of years in that area - it was very unusual, very strange. Maybe he also had the mission to convert (people) to Catholicism, who knows? We have lots of speculation about him, all the mysterious things about this man. There's still mystery."

Q: There's no mystery though that the cover for this album, showing you bald-headed and wielding a crucifix, is "non-diva" - like the cover on the "Sacrificium" album of castrati music, with your head superimposed on the torso of a male statue.

A: "The idea was to have a cover related to the project and it was a bit against the cliche of a diva who has to look beautiful all the time. In a project like 'Sacrificium', when at the beginning of the 18th century 3,000-4,000 boys were castrated every year in Italy...how can I make a CD project about this and make a cover with a beautiful, glamorous Vanity Fair picture? This would be more embarrassing...People realize there is a real story here to tell, it's not a compilation of arias which you do for Christmas. And 'Sacrificium' was a huge success."

Q: Your concert recital earlier this month singing Handel, Rossini and Mozart with Daniel Barenboim conducting at La Scala in Milan, with a chorus of boos and whistles in the second half, was perhaps less of a success?

A: "This story is repeating what happened to Carlos Kleiber, one of the greatest conductors of our lives, also to (Maria) Callas, (Luciano) Pavarotti. The concert was magnificent - Handel, Mozart, Rossini - and then I believe at the very end there was a very Fellinian situation. You think these things don't happen anymore, that they only happen in the movies of (Federico) Fellini but actually, no, this is happening. And it seemed like a parody but the next morning I opened the newspaper and (Silvio) Berlusconi is back (in Italian politics). And so I said, 'Yes, of course.'

I think living in Italy is difficult but living without Italy is impossible."

(Editing by Michael Roddy)


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"Rescue Me" singer Fontella Bass dies aged 72

(Reuters) - American soul singer Fontella Bass, who topped the R&B chart in 1965 with the song "Rescue Me," died in St. Louis. She was 72.

Bass died in hospice care on Wednesday night from complications of a heart attack she suffered three weeks ago, her daughter, Neuka Mitchell, told Reuters. Bass had also suffered from strokes in recent years.

"She's going to be missed," Mitchell said. "Her big personality. Her love for family. Her big, giving heart and her cooking."

She was known as the "queen of soul food" to her family, Mitchell said.

Bass was born into a singing family in St. Louis. Her mother, Martha Bass, was a singer in the Clara Ward Singers gospel group. Her brother, the late R&B singer David Peaston, scored a handful of hits in the 1980s and 1990s.

Bass first achieved success dueting with Bobby McClure in 1965 on songs such as "Don't Mess Up A Good Thing" and "You'll Miss Me (When I'm Gone)," both of which were hits on the pop and R&B charts.

Bass' biggest hit came with "Rescue Me," which shot up the Billboard pop charts in the fall of 1965, becoming one of the most popular soul hits of all time.

"It held a special place in her heart," Mitchell said of the song. "She sang it every time she performed."

The song has been covered and sampled numerous times over the years, including by pop stars Linda Ronstadt and Cher, and more recently in 2000 by UK group Nu Generation, who remixed the song into a dance track.

Nu Generation's remix, "In Your Arms (Rescue Me)" hit the top 10 of the UK singles chart.

Bass had moderate success in later years with a gospel album in the 1990s, but was unable to emulate the popularity set by "Rescue Me."

She was married to jazz trumpeter and composer Lester Bowie. The two spent time living in Europe in the late 1960s and early 1970s before moving back to the United States.

Funeral arrangements for Bass have not been finalized. The singer is survived by her four children.

(Reporting by Eric Kelsey and Piya Sinha-Roy; Editing by Doina Chiacu)


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Stallone did not copy screenplay for "The Expendables": judge

NEW YORK (Reuters) - A federal judge has reaffirmed his decision to dismiss a lawsuit accusing actor Sylvester Stallone of copying someone else's screenplay to make his popular 2010 movie "The Expendables."

U.S. District Judge Jed Rakoff in Manhattan on Thursday rejected claims of copyright infringement damages by Marcus Webb, who contended that the movie's screenplay contained 20 "striking similarities" to his own "The Cordoba Caper."

Webb claimed that both works had similar plots, and involved hired mercenaries in a Latin American country that was home to a villain dictator named General Garza.

But Rakoff said no reasonable juror could find that the works were so similar as to eliminate the possibility that Stallone crafted his screenplay on his own.

Not even the general's name was an automatic red flag, Rakoff said, writing that "Garza" was the 34th most common Hispanic nickname in the United States.

"The court has carefully examined the entire litany of plaintiff's proffered 'striking similarities' and finds none of them remotely striking or legally sufficient," Rakoff wrote. "These are two very different screenplays built on a familiar theme: mercenaries taking on a Latin American dictator."

Other defendants in the case included Nu Image Films, which produced the movie, and Lions Gate Entertainment Corp, which distributed the movie in the United States.

Lawyers for Webb did not immediately respond to requests for comment.

"The Expendables" was released in August 2010, and featured other older action stars like Jet Li and Arnold Schwarzenegger. A sequel, "The Expendables 2," was released in August 2012.

In June, Rakoff decided to dismiss Webb's case [ID:nL2E8HQA93] but did not provide his reasons until Thursday.

Stallone also starred in the "Rocky" and "Rambo" movies.

The case is Webb v. Stallone et al, U.S. District Court, Southern District of New York, No. 11-07517.

(Reporting by Jonathan Stempel; Editing by Jan Paschal)


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Elvis Presley, The Beatles top list of most-forged autographs

LOS ANGELES (Reuters) - Elvis Presley and The Beatles top the list of most-forged celebrity signatures in 2012, with less than half of their autographs for sale certified as genuine, memorabilia authenticators PSA/DNA said on Thursday.

The King and The Fab Four British rockers, who topped the list two years ago when it was last released, joined notable figures such as former U.S. President John F. Kennedy and late pop star Michael Jackson on the list of most-forged celebrity signatures.

Late American astronaut Neil Armstrong landed at No. 3 on the list, after fake Armstrong signatures rose significantly after his death in July.

One reason forgeries of Armstrong's autograph soared was that he rarely signed for fans during his life, Joe Orlando, president of Newport Beach-based PSA/DNA, told Reuters.

"Armstrong is someone who is very conscious of the value of his own autograph," Orlando said. "Even before he passed away he was very tough to get...It really heightens the level of his market."

Secretaries and assistants responding to huge volumes of fan mail are one reason for fake signatures floating through the marketplace, said Margaret Barrett, director of entertainment and music memorabilia at Heritage Auctions in Los Angeles.

"Back in the day, the kids would write to the movie studios," Barrett said.

"There was absolutely no financial gain 50 years ago and secretaries and assistants just wanted to make them happy. A lot of times people stumble upon an old box of signed photographs in grandma's attic and don't know they're forged."

Barrett, whose specialty is late Hollywood actress Marilyn Monroe's autographs, said that official documents such as contracts and checks are reliable sources to verify whether or not a signature is forged.

"A good rule of thumb is to compare it a signed contract," she said. "Sometimes (celebrities) would have secretaries or other sign photos and letters but they couldn't have a contract signed by a proxy."

(Reporting by Eric Kelsey, editing by Piya Sinha-Roy and Cynthia Osterman)


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Former President George H.W. Bush remains in intensive care

AUSTIN, Texas (Reuters) - Former President George H.W. Bush remained in the intensive care unit of a Houston hospital on Thursday, but his longtime chief of staff issued a reassuring message, urging the media and the public to "put the harps back in the closet."

Bush, 88, a Republican who during his one term in office led a coalition of nations that ejected Iraqi forces from Kuwait in 1991, was admitted to Methodist Hospital November 23 for bronchitis.

He was transferred to intensive care on Sunday after setbacks including a persistent fever, family spokesman Jim McGrath has said.

"I don't have any guidance so far today except to say no news is good news," McGrath said on Thursday. Hospital spokesman George Kovacik added that the former president remained in intensive care on Thursday.

But in a statement addressed to the "national media" on Bush's condition on Thursday, chief of staff Jean Becker sought to strike an upbeat tone.

"Yes, President Bush is in ICU where he is getting the best medical care in the world," she wrote. "Is he sick? Yes. Does he plan on going anywhere soon? No. He has every intention of staying put.

"He would ask me to tell you to please 'put the harps back in the closet,'" she said.

On a more serious note, Becker said her boss was expected to remain in the hospital for "a while," adding, "He is 88 years old, he had a terrible case of bronchitis which then triggered a series of complications." She did not elaborate.

McGrath on Wednesday described Bush as alert and talking to medical staff.

On Thursday evening, McGrath released a statement from Bush mourning the death of retired Army General Norman Schwarzkopf, commander of the U.S. and allied forces that routed Iraqi ruler Saddam Hussein's military from Kuwait during a six-week war in 1991.

He said the four-star general, who died at age 78, "epitomized the 'duty, service, country' creed that has defended our freedom and seen this great nation through our most trying international crises."

Bush has lower-body parkinsonism, which causes a loss of balance, and has used wheelchairs for more than a year.

The 41st U.S. president and father of former President George W. Bush, he served as a congressman, ambassador to the United Nations, envoy to China, CIA director and vice president for two terms under Ronald Reagan during a political career spanning four decades.

(Reporting by Corrie MacLaggan; Writing by Steve Gorman; Editing by Paul Thomasch, Phil Berlowitz and Paul Simao)


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