Khloe Kardashian out as "X Factor" co-host

LOS ANGELES (Reuters) - Reality TV star Khloe Kardashian will not be returning to "The X Factor" after just one season as co-host of the TV talent show.

Fox television on Monday announced that presenter and actor Mario Lopez would return for a second season but the statement made no mention of Kardashian.

An "X Factor" spokesman said Kardashian, 28, who with her California socialite sisters Kim and Kourtney rose to fame in "Keeping Up With the Kardashians," would not be returning when the U.S. version of the singing competition returns in September.

"We really enjoyed working with her and wish her all the best in the future," the spokesman said.

Kardashian, one of the most popular faces on U.S. television, was brought in by "X Factor" creator Simon Cowell last year as part of a revamp that included the hiring of singers Britney Spears and Demi Lovato as judges after a disappointing first season in 2011.

A source close to the show said Kardashian, who had no previous experience as a TV host, was not asked to renew her contract.

Spears quit after one season and her replacement has yet to be named but Lovato will be back in September.

Kardashian married basketball player Lamar Odom in 2009, and the pair got their own spinoff show. She has more than 8 million followers on Twitter and has been in the news for several months over the couple's efforts to have a baby.

Lopez, a former actor, is the co-host of entertainment magazine show "Extra" and radio show "On with Mario Lopez." He is also an author of several fitness books.

"I'm thrilled Mario is back for Season Three of 'The X Factor,'" Cowell said in a statement. "Hosting a live show and keeping the judges - especially Demi - in line, is not an easy job, but Mario is a pro and we are glad he's coming back."

Fox is a unit of News Corp

(Reporting By Jill Serjeant; Editing by Kenneth Barry)

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Malaria turns comedy's Richard Curtis from laughter to tears

By Barbara Lewis

BRUSSELS (Reuters) - Brussels and Washington are the two great lobbying capitals of the world, where campaigners talk themselves hoarse trying to shift the political dial.

Some of them have had the fortune to recruit British director and screenwriter Richard Curtis, whose powers of persuasion move hearts as well as minds.

Known for his romantic comedies, such as "Four Weddings and a Funeral" and "Notting Hill", Curtis has turned his hand to a didactic tragedy - "Mary and Martha" - being screened across the globe to coincide with world malaria day on April 25.

"You could take a simple story and take it straight into the heart of politics," he told a Brussels audience of lobbyists, politicians and representatives of the European Commission.

"Mary and Martha" tells the story of two mothers, one American (played by Hilary Swank), one British (played by Brenda Blethyn), who lose their sons to malaria then lobby Washington politicians to try to prevent other mothers losing their children too.

For the developed world, theirs is an exceptional tragedy. In Africa, death from malaria is a daily occurrence. The continent accounts for the vast majority of the well over half a million annual deaths from a preventable and treatable disease.

Curtis, who wrote the screenplay, is appalled that a quirk of geography can be so unjust.

"If 650,000 children in Europe were going to die this year of one disease - if it were only 6,000 - everything would be stopped to do something," he said. "I can't understand why this tiny bit of geography should make it not matter."

Brussels says it is listening.

European Development Commissioner Andris Piebalgs met Curtis and said the European Commission would honor a pledge of 330 million euros ($430 million) for the Global Fund, set up by world leaders to tackle malaria, AIDS and tuberculosis.

But after the current funding period, 2011-2013, there might be "a lower budget than expected", Piebalgs said in a speech.

Over the coming weeks, EU member states and parliament are likely to freeze development spending - meaning a real-term cut - when they sign off on a seven-year financing plan for 2014-20 agreed after lengthy and difficult talks.

Curtis has a long track record in combining worthy causes with making people laugh. He helped to found British charity Comic Relief, set up in response to famine in Ethiopia in 1985.

Comic Relief, uses humor to raise funds to tackle poverty and social injustice and Curtis told his Brussels audience his foray into tragic script-writing did not mean he had given up on comedy.

"I have been getting more reflective as I get older, but I hope I have a couple of jokes in me too," he said.

($1 = 0.7674 euros)

(Additional reporting by Charlie Dunmore, editing by Paul Casciato)

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Michael Jackson wrongful death trial set to get underway Monday

LOS ANGELES (Reuters) - The civil trial over the death of Michael Jackson is set to get formally underway next week after jury selection was completed on Tuesday in the $40 billion case that pits the pop star's mother against concert promoters AEG Live.

Six alternate jurors were chosen on Tuesday following the selection a day earlier of a jury of six men and six women for what is expected to be an emotional three-month trial.

The conclusion of the month-long search for a jury set the stage for opening statements to begin in Los Angeles Superior Court on Monday.

Jackson's 82-year-old mother, Katherine, is suing AEG Live, the promoters of his never-realized series of 2009 London comeback concerts, for the wrongful death of her son.

The lawsuit alleges AEG Live was negligent in hiring Dr. Conrad Murray to care for the singer while he rehearsed for a series of 50 shows.

AEG Live contends that it did not hire or supervise Murray and that Jackson was addicted to prescription drugs for years before he agreed to do the "This Is It" London concerts.

The concert promoters also argue that they could not have foreseen that Murray, who was convicted in 2011 of involuntary manslaughter in Jackson's death, posed a danger to the singer.

Jackson, 50, died in Los Angeles on June 25, 2009, from a lethal dose of the surgical anesthetic propofol that Murray was administering for sleep problems. Murray, who is not being sued, formally appealed against his criminal conviction on Monday.

Potential witnesses in the civil trial include Jackson's mother, his two oldest children, Prince, 16, and Paris, 15, as well as Murray, singers Prince and Diana Ross, and Jackson's ex-wives, Lisa Marie Presley and Debbie Rowe.

Katherine Jackson and her son's three children are seeking some $40 billion in damages from privately held AEG Live for loss of the singer's earnings and other damages. The final amount will be determined by the jury should it hold AEG Live negligent.

(Reporting by Jill Serjeant; Editing by Eric Beech)

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Kuwait author wins Arabic book prize for tale of foreign workers

LONDON (Reuters) - Kuwaiti author Saud Alsanousi has won the 2013 International Prize for Arabic Fiction for his portrayal of the lives of foreign workers in Gulf countries in "The Bamboo Stalk".

The 31-year-old Alsanousi became the youngest winner in the $50,000-prize's six-year history for the story seen through the eyes of Issa, the son of a Kuwaiti father and a Filipina mother.

"All the judges agreed on the superior quality of this novel, both artistically and also in terms of its social and humanitarian content," the panel's chair Egyptian writer Galal Amin said in a statement on Tuesday.

On returning to his father's homeland as an adult, Issa finds himself in a difficult position.

Rather than the mythical country his mother has described to him, he discovers he is caught between the natural, biological ties he shares with his father's family and the prejudices of a traditional society, which views a child of Kuwaiti-Filipina heritage as socially unacceptable.

Alsanousi's work has appeared in a number of Kuwaiti publications, including Al-Watan newspaper and Al-Arabi, Al-Kuwait and Al-Abwab magazines and he currently writes for Al-Qabas newspaper. He wins $50,000.

His first novel "The Prisoner of Mirrors" was published in 2010 and in the same year won the fourth Laila al-Othman Prize, awarded for novels and short stories by young writers.

Alsanousi beat five other finalists for the prize. Each finalist, including the winner, will receive $10,000.

The other finalists were Iraqi Sinan Antoon for "Hail Mary", Tunisian Houcine El Oued for "His Excellency the Minister", Lebanese author Jana Elhassan for "Me, She and the Other Women", Saudi Mohammed Hasan Alwan for "The Beaver" and Egyptian Ibrahim Issa for "Our Master".

The prize is supported by the Booker Prize Foundation in London and funded by the Abu Dhabi Tourism & Culture Authority, which marks its first year as the new sponsor in 2013.

(Reporting by Paul Casciato; Editing by Alison Williams)

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Gwyneth Paltrow named People's most beautiful woman

LOS ANGELES (Reuters) - Oscar-winning actress Gwyneth Paltrow on Wednesday was named the world's most beautiful woman for 2013 by People magazine, knocking pop singer Beyonce out of the top spot.

The 40-year-old mother of two credits a five-day-a-week exercise regimen for keeping her in shape as she grows older.

"It makes me look younger and feel strong," Paltrow told the magazine. "When I first started, I thought, 'I'll never be good at this. This is a nightmare!' But now it's like brushing my teeth, I just do it."

It is the fourth time Paltrow, who is married to Coldplay singer Chris Martin, has been named to the magazine's annual beautiful people issue, but the first time landing the coveted cover as most beautiful woman.

She joins the likes of fellow actresses Jennifer Lopez, Julia Roberts, Halle Berry and Jennifer Aniston to top the list.

Paltrow reprises her starring role as Pepper Potts in the action film "Iron Man 3," which opens next month.

The actress has cut back her film work after giving birth to children Apple, 8, and Moses, 7, and released her second cookbook, "It's All Good," this month.

She is also the founder of lifestyle and clothing website Goop.com.

Paltrow won an Oscar for her role as William Shakespeare's muse in the 1998 film "Shakespeare in Love."

The full list of People's "World's Most Beautiful People" can be found on www.people.com/mostbeautiful

(Reporting by Eric Kelsey; Editing by Sandra Maler)

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Novelist Banks "stunned" by fan support over terminal cancer

By Li-mei Hoang

LONDON (Reuters) - Scottish author Iain Banks, who announced this month he was suffering from terminal cancer, said he was "stunned" by the messages of support he has received from his fans.

The "Wasp Factory" author said he was deeply flattered and touched by all the responses left on the website Banksophilia, which was set up by his friend Martin Belk.

"Good grief! - what an outpouring of love, affection and respect. I honestly had no idea," he wrote.

"Discovering the sheer extent and depth of the feelings people have expressed on the message board over the past two weeks has been truly astounding," he added.

Banks, 59, said his problems came to light after a visit to his doctor about a sore back. Tests revealed he was not only suffering from jaundice but also cancer in his gall bladder.

He announced his illness on his website on April 3, before he canceled all future public engagements.

The author, who also writes science fiction under the name of Iain M Banks, said that as a late-stage gall bladder cancer patient he is only expected to live for a few months.

Banks has returned to Britain after a short honeymoon with his wife Adele in Paris and Venice to continue working on his new book "The Quarry."

Born in Fife, Banks studied at Stirling University before publishing "The Wasp Factory", his first novel, in 1984.

In 2008, he was named one of the 50 greatest British writers since 1945 in a list compiled by the Times newspaper.

Banks said he would be looking "seriously" at the medical advice and suggestions made by his fans and would continue to post the occasional update for as long as he is able.

"I feel treasured, I feel loved ... and I can't deny I've been made to feel very special indeed," he added.

(Editing by Paul Casciato)

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A Minute With: Colin Firth from royal to ordinary "Arthur Newman"

By Zorianna Kit

LOS ANGELES (Reuters) - After winning a Best Actor Oscar for playing a stuttering British royal in 2010 film "The King's Speech," Colin Firth is back on screen as a character who appears ordinary to the point of boring in indie drama "Arthur Newman."

Opening in select U.S. movie theaters on Friday, Firth plays an American man who is dissatisfied with his life and hits the road with a new identity. Things get derailed when he meets Mike (Emily Blunt) a troubled young woman fleeing from her own issues.

Firth, 52, sat down with Reuters to talk about the film and life after his first Oscar win, and the (dimming) prospects of a third "Bridget Jones' Diary" movie.

Q: What made you follow up an Academy Award win with a little indie like "Arthur Newman?"

A: At the time, the title of the film was "Arthur Newman Golf Pro" and I found it so off-putting, it perversely made me more intrigued. I thought by putting 'golf' in the title, the film wouldn't be exactly marketable.

Q: How's that?

A: If you don't like golf, you won't go to see the film. And if you like golf, you're going to be disappointed because it's not about golf. It was almost provocative in how willfully unmarketable it was, so I wanted to see what was inside.

Q: And what did you find?

A: A man who seemed steeped in ordinariness. In fact, he's pronounced to be boring by several characters in the movie. So yes, he really is incredibly boring and that intrigued me. It always has. What is actually going on? What are the dynamics behind somebody languishing in a disappointing suburban life? What heroism is possible?

Q: How do you play someone like that? Where do you look to find a common thread?

A: We trap ourselves in all sorts of ways, however unusual or extraordinary our existence might seem from the outside. There are all kinds of ways in which we find ourselves on a treadmill.

If people dare to test the boundaries and step outside, it's often characterized as running away from problems. But you can't look at it that way. In Arthur Newman's case, in some ways he was probably running in to something that was more awake and more authentic.

Q: You can't possibly have any hint of dissatisfaction after winning an Oscar, can you?

A: That's not true, because you've got the rest of your tasks ahead of you. Of course there's immense reassurance (in having an Oscar) and it does give you a license for a certain freedom to do what you want and not have to prove something.

Q: Did you find that things changed for you after you won?

A: Not quickly. In some ways it's happening now....An Oscar doesn't suddenly work the miracle that manufactures a plethora of great writers who are suddenly ready to come to you with fully financed films, with the right director attached, landing on your table, saying: Take your pick. It's not as coherent as that.

Q: Have you been able to use the Oscar to your advantage?

A: Yes. It definitely opens doors. There are ways in. If you want to reach somebody to get the collaboration on something, they'll talk to you. That's a very powerful difference I've noticed.

Q: Do you like that?

A: Yeah, I do. It's useful. I think that's probably the healthiest way to look at it, rather than have something that gets preserved on a shelf. Take it and use it as a tool. Then it has meaning rather than just something to look back on. You can't live on one moment. And you can't allow either a crisis or a triumph to be the only thing that defines you.

Q: You have a lot of films on your plate due this year and next: Atom Egoyan's "Devil's Knot" and two back-to-back films with Nicole Kidman. What's the status on the sequel to "Bridget Jones' Diary?"

A: We've been teasing people a little bit because there have been plans but they're on ice now.

Q: Are you disappointed?

A: Not in the abstract. I don't spend my life thinking, "I hope there's another 'Bridget Jones.'" I like the character and I like the story. I think (author-screenwriter) Helen Fielding is a wonderful writer. Where she began to take it in this next stage now that we're all older is actually more interesting than it was in some ways back then. So if there's a good story and a good script, I'll think about it on that basis.

(Reporting By Zorianna Kit, editing by Jill Serjeant and Cynthia Osterman)

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Brad Grey Discusses Piracy, Failure of DreamWorks Deal During 'Charlie Rose' Appearance

By Brent Lang

LOS ANGELES (TheWrap.com) - Brad Gray kept dodging questions during an appearance on "Charlie Rose" Wednesday about why the Paramount's deal to purchase DreamWorks SKG ended with the exits of Steven Spielberg and David Geffen from the studio lot, but the tenacious anchor would not let the studio chief duck his queries.

Grey insisted he did not want to speak ill of anyone. He dissembled. He leaned back on the old standby, "I don't know."]

Pressed about reports that personality clashes with Geffen had doomed the pact, Grey countered with praise.

"My regard for David Geffen is extremely high," he said. "I think that David Geffen is one of the greatest, not only showmen, but one of the greatest businessmen."

He said that the $1.6 billion deal to purchase DreamWorks' library and bring its team to Paramount was critical to the studio, because it came at a time when there were very few films in its production pipeline. After Geffen and Spielberg's employment contracts ended, DreamWorks became an independent production company in 2008 with funding from Indian-based Reliance ADA Group.

"I can't tell you exactly what it was," Grey said, after Rose refused to let the subject drop. "I can only say that in life when you have the greatest expectations and you try to do things the right way, it doesn't always work out."

Grey insisted that the studio maintains strong ties with Spielberg, noting that the director is producing the next "Transformers" film for Paramount. He added that he expects they will work on future project together.

Grey also dipped his toe into the hot-button issue of piracy during the cordial twenty-five minute grilling. He noted that relations have started to improve between Silicon Valley and Hollywood despite the divide over issues like SOPA, the anti-piracy legislation that went down to defeat in Congress last year thanks to a grassroots campaign that was fostered by the online community.

"The biggest search engines in the world are trying to sort out how we handle this together to make sure that our artists and studios and all the people - all the thousands and thousands and thousands of people - at work are able to be legitimately paid and the product isn't being stolen," Grey said.

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"Community's" Jim Rash Talks Writing 'Freaky Friday' Episode, Getting Revenge on Joel McHale

(Note: Strong language in para 8)

By Jethro Nededog

LOS ANGELES (TheWrap.com) - Jim Rash hasn't let his Oscar for co-writing "The Descendants" go to his head.

"Oscar or no Oscar, it doesn't matter," Rash told TheWrap.

"It's like, 'You did that, great. Now, do it again' or 'Let's see if you got what it takes.' The pressure is always going to be there no matter what," he continued. "So I feed off that pressure, because obviously I want to do the best job as I can. But, it really doesn't mean anything. You can still write a piece of crap next time around."

He certainly didn't take the easy route when writing Thursday's episode of NBC's "Community," which features a body-switching "Freaky Friday" theme that throws the study group for a loop.

"Just randomly the nugget of 'Freaky Friday' was something that was in my head, like the idea," he explained. "Not surprisingly in the world of 'Community,' the writers were like, 'Oh my God, we talked about a body switching thing at some point.' Then we realized sort of in talking out loud this was a great opportunity to use that device to do the real emotional part of the story, which is obviously Troy and Britta and Abed will be sucked into that."

On the episode, titled "Basic Human Anatomy," Danny Pudi and Donald Glover play each other's characters. "They know each other so well as friends on and off-screen, they were actually recording their parts for each other. So, they were really giving each other homework basically. They really did study up."

And although it's only his first time writing for the comedy in its almost four seasons on-air, Rash made sure to include an acting challenge for himself, which doubled as revenge on co-star Joel McHale. Rash's Dean Pelton gets to switch bodies with Jeff (McHale) - kind of - and the actor proves he can do a pretty good impersonation of his co-star.

"I just like to give Joel s--t in general," the alum of L.A.'s Groundings Improv group said. "It was fun for me just to even do it. It's sort of like payback for me, because when we did the documentary episode and he got to 'play me' -- an exaggerated, horrible version of me for the video - I was always partly offended."

That's a writer's perk, but not all that Rash got out from the experience of writing the episode.

"It's hard, but it's a great ride," he said. "It was a dream come true. It's very simple, I wanted to do right by our writers and by. I hope I did. They were so supportive, it's really a team effort too. At the end of the day, it's people loving a show and doing their best to keep it going. All very good."

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Country singer George Jones dead at 81

By Bill Trott

WASHINGTON (Reuters) - George Jones, a classic country singer with a voice full of raw honky-tonk emotion and a life full of honky-tonk turmoil, died on Friday at the age of 81, his spokesman said.

Jones, whose career spanned more than six decades and included hits such as "He Stopped Loving Her Today" and "Window Up Above," died at Vanderbilt University Medical Center.

He had been hospitalized since April 18 with fever and irregular blood pressure, spokesman Kirt Webster said.

Like his idol, Hank Williams, Jones battled addiction. Alcohol and cocaine frequently derailed his career and at one point his reputation for canceling performances earned him the nickname No-Show Jones.

But when Jones did show up and was in good form, listeners were treated to a powerful and evocative voice. Jones was at his best with cry-in-your-beer songs and his masterful phrasing made them extra mournful.

As his late contemporary Waylon Jennings put it, "If we could all sound like we wanted to, then we'd all sound like George Jones."

Born in Saratoga, Texas, on September 12, 1931, Jones first began performing for spare change as a boy on the streets of nearby Beaumont. Under the influence of Williams, Ernest Tubb and Lefty Frizzell, he graduated to the rough roadhouses of East Texas.

Jones had an early marriage, a divorce and a stint in the Marines before his first hit, "Why Baby Why" in 1955. His first No. 1 song, "White Lightning," came in 1959, followed by "Tender Years" in 1961.

The next two decades brought a string of top 10 songs - "If Drinkin' Don't Kill Me (Her Memory Will)," "Window Up Above," "She Thinks I Still Care," "Good Year for the Roses, "The Race Is On" and "He Stopped Loving Her Today," which Jones said was his favorite. He also had a successful run of duets with Melba Montgomery.

Jones, who was known as "The Possum," divorced his second wife in 1968 and the next year married one of country's most popular singers, Tammy Wynette. The pairing was an enormous professional success for both as they recorded and toured together and Jones also began working with Billy Sherrill, Wynette's producer.

During his time with Sherrill, Jones refined his honky-tonk voice and sang more ballads, often with the lush string accompaniment that had become a trend in the country music capital of Nashville.

The marriage to Wynette went bad as Jones' addiction problem escalated and Wynette claimed he once came at her with a gun. They divorced in 1975 but later resumed recording together.

Jones continued to put out hit songs in the early 1980s, even as cocaine compounded his personal tumult. Amid a string of hospitalizations and arrests, he disappeared for days at a time, missed shows and recording sessions and took police on a drunken chase through Nashville.

Jones credited fourth wife Nancy, who he married in 1983, with helping him clean up. But in 1999 he was seriously injured after driving drunk and crashing into a bridge, leading to another stay in rehab.

At one point Jones was so incorrigible that one of his four wives cleared the liquor from their home and hid all the car keys so he could not go for more. Jones responded by cranking up his riding lawn mower and driving it to a bar - an escapade he chronicled in "Honky Tonk Song."

Although he was heard infrequently on mainstream country radio in the later years of his career, Jones was a sought-after duet partner and won a Grammy for the song "Choices" in 1999. He also won a Grammy for best country performance in 1980 for "He Stopped Loving Her Today."

Jones was still touring last year, although an upper respiratory infection and other health problems forced him to postpone shows.

(Writing by Bill Trott; Editing by Vicki Allen)

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